Teleman â?¢ Handel â?¢ Vivaldi-Three Baroque oboe concert in three different styles all of which brilliantly display the oboe's capabilities as solo instrument in the Baroque form. Includes a high-quality preinted music score and a compact disc containing a complete performance with soloist; then a second version with the orchestral accompaniment minus the soloist. Peformed by Earl Schuster oboe Accompaniment: Classic Chamber Orchestra Conductor: Emanuel Vardi.

A set of three short dances by one of the central composers of the Baroque French style. Characterised by the stately but subtle syncopations of the French Baroque sound heard most famously in the opening Sinfonia of Handel'sMessiah these dances are ideal repertoire for the intermediate Oboe soloist and are perfect for festivals chamber performances and all manner of smaller concerts.

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.

Virtuoso Douvas of the Metropolitan Opera Orchestra continues the Oboe Classics series with these wonderful advanced-level solos on oboe. These cover the range from Baroque (Handel) to Twentieth Century Modernism (Hindemith) and includes two virtually unknown Romantic Era 'Solos de Concert' by Stanislas Verroust. A magnificent collection and a tremendous opportunity to advance to the highest levels of achievement. As a special bonus this album includes a separate book containing the rare piano accompaniments to the Verroust 'Solos de Concert.' Includes a complete solo part printed on high-quality ivory paper annotated with performance suggestions and a compact disc with completeversions (with soloist) followed by piano accompaniments to each piece minus the soloist. Also includes a bonus book of piano accompaniments to the Verroust Solos de Concert. Performed by by Elaine Douvas oboe Accompaniment: Erik Nielsen piano

Albinoni like many other Italian Baroque composers had a particular fondness for the Oboe. He composed this work in 1715 with the original instrumentation of Oboe 2 Violins Viola Cello and Continuo. This Boosey & Hawkes edition has a Piano reduction of the original instrumentation.

for Oboe and Piano-Les indications données étaient les suivantes : une pièce modérément lente et de difficulté moyenne ; enfin le mot ?blanc ? devait figurer dans le titre faisant ainsi allusion à la couleur fétiche de l'orchestre dédicataire. C'est en s'inspirant de ces quelques éléments que Philip Sparke composa White Light une pièce lumineuse et harmonieusement légère. De caractère pastoral et de style plutôt baroque White Light expose avec passion la quintessence du hautbois. Disponible en version Hautbois et piano elle existe également pour Hautbois solo et orchestre d'harmonie.

This text covers every possible style appropriate to an intermediate book for woodwinds. It includes music from the Baroque Classical Romantic and Twentieth Century eras while representing more than a dozen countries. Original compositions are included to strengthen young artist skills in developing both facility and tone. The musical collection provides a diverse selection of quality repertoire each presenting composer information nationality and music terminology. Includes: challenging and rewarding music in a range that explores both the high and low register · musical exercises to teach phrasing · long tone exercises · articulation patterns · variety of tempos dynamics time and key signatures · fun quality music that motivates practicing and performance.

The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.

Play Handel contient 12 des plus célèbres oeuvres de Georg Friedrich Haendel L?accompagnement musical sur compact disc a été confié à l?orgue et au violoncelle. Goûtez la sérénité et la fougue de la musique de Georg Friedrich Haendel et expérimentez la sensation unique que procure l?interprétation d?oeuvres aussi brillantes. Play Handel est indispensable pour tout amateur de musique baroque.

Sonata In C Minor was expertly composed by Antonio Lucio Vivaldi.Vivaldi was a Baroque composer Catholic priest and virtuoso violinist. He was nicknamed il Prete Rosso(The Red Priest) because of his red hair.

A Fun Collection of Original Pieces-This entertaining new play-along book contains 12 solos in styles varying from baroque to blues. The book comes with a CD containing both backing tracks and full performances performed by real musicians. You’re sure to have fun when you Go Solo.

Oboe 1 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.